under review

Uyirthen: Difference between revisions

From Tamil Wiki
(Creating Initial Version)
 
(Saving final version for further review)
Line 1: Line 1:
{{Read Tamil|Name of target page=உயிர்த்தேன்|Title of target page=உயிர்த்தேன்}}
{{Read Tamil|Name of target page=உயிர்த்தேன்|Title of target page=உயிர்த்தேன்}}
[[Category:English Content]]
[[Category:English Content]]
[[File:உயிர்த்தேன்.jpg|thumb|Uyirthen]]
Uyirthen (1967) is a novel written by T. Janakiraman. The work echoes contemporary social events and presents women as the center of society. Under the guidance of a woman, the novel talks about male-female relationship issues through the story of a single man's dream changing the entire village.
== Writing, Publication ==
[[தி.ஜானகிராமன்|T. Janakiraman]] is the author of some of the most popular Tamil novels like ''[[மோகமுள்|Mogamul]]'', ''Marappasu'', ''[[அம்மா வந்தாள் (நாவல்)|Amma Vandhaal]]'' etc. He was awarded the Sahitya Academy Award for Tamil for his short story collection ''Sakthi Vaidhyam''. In 1966, T. Janakiraman's Uyirthen came out as a series in Ananda Vikatan. The novel emphasized village management, social unity and women's leadership through that time.
The first edition was published by Ainthinai in March 1967. The second edition appeared in November 1972, the third edition in April 1976, the fourth edition in December 1986 and the fifth edition in April 1994.
== Synopsis ==
Bhoovaragavan made a good living in Chennai and returned to his native Aarukatti in middle age and moves to a new house with the help of his uncle's son Singu. While farming, he repairs the village temple in his father's memory. Palani, the villager who had been enjoying his house till then, grows unexplained resistance and anger.
Karvar Ganesapillai and his wife Sengamma help with field supervision and household chores. Bhoovaragavan sees Sengamma as a goddess and as an angel, with a beauty that amazes the whole town, at awe of her ability to cook a wedding feast on her own and a sense of humor.
But the villagers does not lend any help to Bhoovaragavan in repairing the temple, who are spineless and lying on each other with suspicion and laziness. In order to unite the village before the completion of the temple work, Bhoovaragavan also takes responsibility for the collective farming of the village according to Sengamma's idea. The fields are covered with great harvest equal to gold and the town is united. He appoints Sengamma as the village leader. He engages Amaruvi, an excellent sculptor and a close friend, to work on the temple. Even though the village is united now, Palani keeps away from Sengamma with hatred and refuses to hand over the village public money. Amaruvi doubts whether Palani is really in deep love with Sengamma.
Bhoovaragavan's friend Anusuya, who is closely resembles Sengamma, also comes to participate in auspicious opening of the temple (Kudamuzhukku). Both Palani and Sengamma recognize each other's feeling as Palani's rejection of Sengamma is very striking for her. Sengamma who goes to meet with Palani with the intent to get back village public money, feels that he is melting like ice and drying like sun with the love for her. Reminding him that she is married, she also makes her point known. Palani also makes his love known through an emphatic act and gives the village public money back. He leaves the town without attending the opening of temple and never cames back.
== Important Characters ==
* Bhoovaragavan - The hero of the story, wealthy, loving husband, father, practices Vaishnavam.
* Renganayaki - Bhoovaragavan's wife
* Singu - Bhoovaragavan Uncle's son
* Lakshmi - Singu's Wife
* Varadhan - The guru of Bhoovaragavan and the ladies
* Ganesa Pillai - The Accountant, who oversees the farm
* Sengamma - Ganesa Pillai's wife, Extra ordinarily beautiful, Loving, Compassionate
* Anusuya - A resemblance of Sengamma, a free sole
* Palani - The old head of the village who expresses lot of hatred without any reason
* Amaruvi - A talented Sculptor and a close friend of Bhoovaragavan
* Thirunavukkarasu, Iyaarappan, Aathimoolam - Some of the landlords of the village
== Literary Assessment ==
This is the novel that is most concerned and closer to contemporary issues and social observation among T. Jha's novels. Ambition of individuals becomes that of society. However, Uyirthen, is not a literary effort. Although there are some beautiful moments this can be only be considered as an high quality commercial novel.
T. Jha's words on the preface which gives a glimpse of the novel,
'Seelamum Buthiyum Dharmamum Kaatinan
Sorana Thevinin Sevvadi Poliga
Gnalamum Anbum Ondrena Kanda Em
Sunthathira Piraiyin Sennagai Poliga'
And that is what he is saying through Uyirthen- 'Knowledge and love are one'.
Writer Vannadasan, in a letter to ''Ellorkum Anbudan'', an anthology of his letters, mentioned that his favorite among T. Janakiraman's books was Uyirthen, not Amma Vandaal or Marapasu, and that Anusuya's character influenced him the most.
The topography, social structure and caste problems of Arukatti town are not told with literary sophistication and sharpness. There are only superficial images which is particular to commercial and entertainment writing - Writer Jeyamohan.
== References ==
* [https://kanali.in/about-uyir-then-sukumaran/ Suthanthira Piraiyin Sennagai - Kanali, August 2020]
* [https://www.jeyamohan.in/110803/ Uyirthen pattri Ezhuthalar Jeyamohan, June 2018]
{{Ready for review-en}}

Revision as of 04:46, 11 July 2022

இந்தப் பக்கத்தை தமிழில் வாசிக்க: உயிர்த்தேன்

Uyirthen

Uyirthen (1967) is a novel written by T. Janakiraman. The work echoes contemporary social events and presents women as the center of society. Under the guidance of a woman, the novel talks about male-female relationship issues through the story of a single man's dream changing the entire village.

Writing, Publication

T. Janakiraman is the author of some of the most popular Tamil novels like Mogamul, Marappasu, Amma Vandhaal etc. He was awarded the Sahitya Academy Award for Tamil for his short story collection Sakthi Vaidhyam. In 1966, T. Janakiraman's Uyirthen came out as a series in Ananda Vikatan. The novel emphasized village management, social unity and women's leadership through that time.

The first edition was published by Ainthinai in March 1967. The second edition appeared in November 1972, the third edition in April 1976, the fourth edition in December 1986 and the fifth edition in April 1994.

Synopsis

Bhoovaragavan made a good living in Chennai and returned to his native Aarukatti in middle age and moves to a new house with the help of his uncle's son Singu. While farming, he repairs the village temple in his father's memory. Palani, the villager who had been enjoying his house till then, grows unexplained resistance and anger.

Karvar Ganesapillai and his wife Sengamma help with field supervision and household chores. Bhoovaragavan sees Sengamma as a goddess and as an angel, with a beauty that amazes the whole town, at awe of her ability to cook a wedding feast on her own and a sense of humor.

But the villagers does not lend any help to Bhoovaragavan in repairing the temple, who are spineless and lying on each other with suspicion and laziness. In order to unite the village before the completion of the temple work, Bhoovaragavan also takes responsibility for the collective farming of the village according to Sengamma's idea. The fields are covered with great harvest equal to gold and the town is united. He appoints Sengamma as the village leader. He engages Amaruvi, an excellent sculptor and a close friend, to work on the temple. Even though the village is united now, Palani keeps away from Sengamma with hatred and refuses to hand over the village public money. Amaruvi doubts whether Palani is really in deep love with Sengamma.

Bhoovaragavan's friend Anusuya, who is closely resembles Sengamma, also comes to participate in auspicious opening of the temple (Kudamuzhukku). Both Palani and Sengamma recognize each other's feeling as Palani's rejection of Sengamma is very striking for her. Sengamma who goes to meet with Palani with the intent to get back village public money, feels that he is melting like ice and drying like sun with the love for her. Reminding him that she is married, she also makes her point known. Palani also makes his love known through an emphatic act and gives the village public money back. He leaves the town without attending the opening of temple and never cames back.

Important Characters

  • Bhoovaragavan - The hero of the story, wealthy, loving husband, father, practices Vaishnavam.
  • Renganayaki - Bhoovaragavan's wife
  • Singu - Bhoovaragavan Uncle's son
  • Lakshmi - Singu's Wife
  • Varadhan - The guru of Bhoovaragavan and the ladies
  • Ganesa Pillai - The Accountant, who oversees the farm
  • Sengamma - Ganesa Pillai's wife, Extra ordinarily beautiful, Loving, Compassionate
  • Anusuya - A resemblance of Sengamma, a free sole
  • Palani - The old head of the village who expresses lot of hatred without any reason
  • Amaruvi - A talented Sculptor and a close friend of Bhoovaragavan
  • Thirunavukkarasu, Iyaarappan, Aathimoolam - Some of the landlords of the village

Literary Assessment

This is the novel that is most concerned and closer to contemporary issues and social observation among T. Jha's novels. Ambition of individuals becomes that of society. However, Uyirthen, is not a literary effort. Although there are some beautiful moments this can be only be considered as an high quality commercial novel.

T. Jha's words on the preface which gives a glimpse of the novel,

'Seelamum Buthiyum Dharmamum Kaatinan

Sorana Thevinin Sevvadi Poliga

Gnalamum Anbum Ondrena Kanda Em

Sunthathira Piraiyin Sennagai Poliga'

And that is what he is saying through Uyirthen- 'Knowledge and love are one'.

Writer Vannadasan, in a letter to Ellorkum Anbudan, an anthology of his letters, mentioned that his favorite among T. Janakiraman's books was Uyirthen, not Amma Vandaal or Marapasu, and that Anusuya's character influenced him the most.

The topography, social structure and caste problems of Arukatti town are not told with literary sophistication and sharpness. There are only superficial images which is particular to commercial and entertainment writing - Writer Jeyamohan.

References


Ready for review en


Please do not write any content below this line. This section is only for editing templates & categories.