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{{Read Tamil|Name of target page=க. செல்லையா அண்ணாவியார்|Title of target page=க. செல்லையா அண்ணாவியார்}}
{{Read Tamil|Name of target page=க. செல்லையா அண்ணாவியார்|Title of target page=க. செல்லையா அண்ணாவியார்}}
[[File:க. செல்லையா அண்ணாவியார்.jpg|thumb|K. Chellaiya Annaviyar (Thanks to Professor Maunaguru)]]
[[File:க. செல்லையா அண்ணாவியார்.jpg|thumb|K. Chellaiya Annaviyar (PC: Prof. Maunaguru)]]
K. Chellaiya Annaviyar was an Eezham koothu (dance/ drama) artist. Chellaiya Annaviyar was one of the very few Annavimars (koothu teachers) who was actively involved in both traditional as well as modern koothus. Joining with universities and schools, Chellaiya Annaviyar trained people in many koothus. Chellaiya Annaviyar was the right hand man of Prof. Vidyanandan in the koothu revival journey that began in the sixties. Chellaiya Annaviyar laid the foundation for the revival of koothu which translated into a functional education in the universities today.
K. Chellaiya Annaviyar was a kootthu (folk dance/ drama) artist from Eezham. Chellaiya Annaviyar was one of the very few Annavimars ( kootthu tutors) who was actively involved in traditional as well as modern kootthus. Together with universities and schools, Chellaiya Annaviyar trained people in many kootthus. He was the lieutenant of Prof. Vidyanandan in the kootthu revival activities that began in the 60s. Chellaiya Annaviyar laid the foundation for the revival of kootthu art form which ratified to Education, functional in universities in Eezham today.
== Private Life ==
== Personal Life ==
Chellaiya Annaviyar was born at Kaluwankerny village of Vantharumoolai in Batticaloa, Sri Lanka. He was known as Vandharmoolai Chellaiya Annaviyar. The Ministry of Culture of the Eastern Province used to provide Rs. 2000/- per month to the helpless veteran artists. During his last days, Chellaiya Annaviyar depended on this money though this did not come regularly.
Chellaiya Annaviyar was born at Kaluwankeni village of Vantharumoolai in Batticaloa, Sri Lanka. He was known as Vantharumoolai Chellaiya Annaviyar. The Ministry of Culture of the Eastern Province used to grant Rs. 2000/- per month to helpless veteran artists. During later days of his life, Chellaiya Annaviyar depended on this amount though this was not received regularly.
[[File:க. செல்லையா அண்ணாவியார்1.jpg|thumb|K. Chellaiya Annaviyar]]
[[File:க. செல்லையா அண்ணாவியார்1.jpg|thumb|K. Chellaiya Annaviyar]]
== Artist Life ==
== Artist Life ==
Chellaiya Annaviyar was interested in the art from an young age. Chellaiya Annaviyar was interested in musical dramas. In the 1920s and 1930s, the Indian music and drama companies that came to Sri Lanka were of two types: Sankaradas Swamiji styled dramas filled with songs, and Parsi theatre styled dramas filled with dialogue and music. Chellaiya Annaviyar was attracted by both these styles of plays being held at the Welhasim Hall (Imperial Theatre) in Batticaloa town and learnt theatre skills through this theatre company. At young age, Chellaiya Annaviyar enacted by singing the roles of Sahadev and young Pulendran in the plays: ''Alli Arjuna, Pavalakodi and Pravahan''. After the advent of cinema in the 1930s, this type of musical dramas became extinct, and Chellaiya Annaviyar focused on the traditional koothus.
From a Young age, Art interested Chellaiya Annaviyar. He was interested in musical dramas. In the 1920s and 1930s, the music and drama troupes that came from India to Sri Lanka were of two types: One, Sankaradas Swamiji-styled stage dramas filled with songs, and the other, Parsi theatre-styled dramas filled with dialogue and music. Chellaiya Annaviyar was attracted to both these styles of Theatre plays which held at the Welhasim Hall in Batticaloa town and learnt stage skills through the 'Imperial theatre' troupe. At young age, Chellaiya Annaviyar enacted the roles of Sahadeva and young Pulendran by singing in the plays ''Alli Arjuna, Pavalakodi'' and ''Pravahan''. With the advent of cinema in the 1930s, this type of musical theatrical dramas began to fade and become extinct, and Chellaiya Annaviyar turned his focus on the traditional kootthus.
[[File:க. செல்லையா அண்ணாவியார்3.jpg|thumb|K. Chellaiya Annaviyar]]
[[File:க. செல்லையா அண்ணாவியார்3.jpg|thumb|K. Chellaiya Annaviyar]]
At the age of 18, Chellaiya Annaviyar was attracted to the [[vadamodi koothus]] like ''Pururuva Chakravarthy'' and ''Subhadra Kalyanam'' and became fully involved in koothu. Chellaiya Annaviyar was impressed by the thrilling dance, the energetic songs and the decorations found in vadamodi koothu and became engaged in it. In his lifetime, Chellaiya Annaviyar practiced more than 20 koothus. In the north of Batticaloa, Chellaiya Annaviyar practiced koothu at Thampankadawai, Muthagal, Kandakadu and Karuppalai and in Batticaloa, at Ottamavadi, Murakkatansenai, Navaladi, Morsappity, Arayampathi, Thannamunai, Periyakallaru and Puthukkudiyiruppu. From 1947 to 1960, Chellaiya Annaviyar was engaged in the practice of full-length koothus. After 1958, Chellaiya Annaviyar was engaged in teaching koothu in the universities and schools. During the 1960 to 1966, Chellaiya Annaviyar taught koothu at the University of Peradeniya along with Prof. Vidhyanandan. Chellaiya Annaviyar first gained the experience of teaching koothu with the women. Chellaiya Annaviyar taught koothu to the Tamil students of The Royal College, Colombo. From 1972 to 1980, Chellaiya Annaviyar worked in koothu activities along with Vinson Dhiraviam Ramachandran, deputy officer of Vinson College in Batticaloa. Chellaiya Annaviyar staged two plays: ''Uthama Bharathan'' and ''Chenchotru Kadan Theertha Semmal'', solely with women. Chellaiya Annaviyar was an Annaviyar of mathalam (musical instrument) in dramas like ''Sankaram Koothuru'' etc.
At the age of 18, Chellaiya Annaviyar was attracted to the vadamodi kootthus like ''Pururuva Chakravarthy'' and ''Subhadra Kalyanam'' and became fully involved in kootthu. He was fascinated by the riveting dance, the energetic songs and the decorations found in vadamodi kootthu and became engaged in it. In his lifetime, Chellaiya Annaviyar mastered more than 20 kootthus. In the north of Batticaloa, He practiced kootthu at Thampankadawai, Muthagal, Kandakadu and Karuppalai and in Batticaloa, at Ottamavadi, Murakkatansenai, Navaladi, Morsappity, Arayampathi, Thannamunai, Periyakallaru and Puthukkudiyiruppu. Between 1947 to 1960, Chellaiya Annaviyar was engaged in the practice of full-length kootthus. After 1958, Chellaiya Annaviyar was engaged in teaching kootthu in the universities and schools. Between 1960 to 1966, Chellaiya Annaviyar taught kootthu at the University of Peradeniya under Prof. Vidhyanandan. There, Chellaiya Annaviyar first gained the experience of teaching kootthu art with women. He taught kootthu to the Tamil students at The Royal College, Colombo. Between 1972 and 1980, Chellaiya Annaviyar worked in kootthu activities along with Vinson Dhiraviam Ramachandran, deputy officer of Vinson College in Batticaloa. He staged two plays solely with women: ''Uthama Bharathan'' and ''Chenchotru Kadan Theertha Semmal''. In dramas like ''Sankaaram Kootthuru'' etc.  he was an Annaviyar of matthalam (musical instrument).  
====== Students ======
====== Students ======
* Selvaraja Annaviyar  
* Selvaraja Annaviyar  
* Naavaladi Kandhasamy  
* Naavaladi Kandhasamy  
* Shanmugam Pankudaveli Babi
* Shanmugam Pankudaveli Baby
[[File:க. செல்லையா அண்ணாவியார்2.jpg|thumb|K. Chellaiya Annaviyar]]
[[File:க. செல்லையா அண்ணாவியார்2.jpg|thumb|K. Chellaiya Annaviyar]]
== Awards ==
== Awards ==
* In 1993, Chellaiya Annaviyar received the "Lankatilaka" award, the highest award given to a Sri Lankan artist from the President  
* In 1993, Chellaiya Annaviyar received the "Lankatilaka" award, the highest award given to a Sri Lankan artist from the President  
* In 2002, Manmunai Cultural Council of Vibulananda Institute of Aesthetic Studies at Kallady, Batticaloa organized an Appreciation ceremony for Chellaiya Annaviyar.
* In 2002, Manmunai Cultural Council of Vipulananda Institute of Aesthetic Studies at Kallady, Batticaloa organized a felicitation ceremony for Chellaiya Annaviyar.
* In 2008, Chellaiya Annaviyar was awarded with "Thalaikol Virdhu" by Eastern University.
* In 2008, Chellaiya Annaviyar was awarded with "Thalaikol Virudhu" by Eastern University.
== Koothu Performances ==
== Kootthu Performances ==
* Karnan Poar (1960)
* Karnan Poar (1960)
* Vaala Bhiman play (1969)
* Vaala Bhiman play (1969)
* Dharmaputhra play (1970)
* Dharumaputhra play (1970)
* Subhathrai Kalyanam  
* Subhathrai Kalyanam  
* Pashupatastram
* Pashupatastram
* Noandi play  
* Nondi play
* Raavanasenan  
* Raavanasenan  
* Vaali vadhai
* Vaali vadhai
== References ==
== References ==
* [https://noolaham.org/wiki/index.php/%E0%AE%AA%E0%AE%9F%E0%AE%BF%E0%AE%AE%E0%AE%AE%E0%AF%8D:7582.JPG#filelinks "Nadagam - Arangiyal : Palayathum Pudhiyathum" - Professor C. Maunaguru], Kumaran Puthaga Illam, Columbo - Chennai 2021.
* [https://noolaham.org/wiki/index.php/%E0%AE%AA%E0%AE%9F%E0%AE%BF%E0%AE%AE%E0%AE%AE%E0%AF%8D:7582.JPG#filelinks "Nadagam - Arangiyal : Pazhaiyathum Pudhiyathum" - Professor C. Maunaguru], Kumaran Puthaga Illam, Colombo - Chennai 2021.
* [https://kizkkuman.blogspot.com/2020/03/blog-post_6.html Aryampathi - Murannagaiyana Oru Vazhvu - Vandharmoolai Chellaiya Annaviyar - Maunaguru]
* [https://kizkkuman.blogspot.com/2020/03/blog-post_6.html Aryampathi - Murannagaiyana Oru Vazhvu - Vandharmoolai Chellaiya Annaviyar - Maunaguru]
{{Finalised-en}}
[[Category:English Content]]
[[Category:English Content]]
{{Standardised-en}}

Latest revision as of 13:29, 16 August 2023

இந்தப் பக்கத்தை தமிழில் வாசிக்க: க. செல்லையா அண்ணாவியார்

K. Chellaiya Annaviyar (PC: Prof. Maunaguru)

K. Chellaiya Annaviyar was a kootthu (folk dance/ drama) artist from Eezham. Chellaiya Annaviyar was one of the very few Annavimars ( kootthu tutors) who was actively involved in traditional as well as modern kootthus. Together with universities and schools, Chellaiya Annaviyar trained people in many kootthus. He was the lieutenant of Prof. Vidyanandan in the kootthu revival activities that began in the 60s. Chellaiya Annaviyar laid the foundation for the revival of kootthu art form which ratified to Education, functional in universities in Eezham today.

Personal Life

Chellaiya Annaviyar was born at Kaluwankeni village of Vantharumoolai in Batticaloa, Sri Lanka. He was known as Vantharumoolai Chellaiya Annaviyar. The Ministry of Culture of the Eastern Province used to grant Rs. 2000/- per month to helpless veteran artists. During later days of his life, Chellaiya Annaviyar depended on this amount though this was not received regularly.

K. Chellaiya Annaviyar

Artist Life

From a Young age, Art interested Chellaiya Annaviyar. He was interested in musical dramas. In the 1920s and 1930s, the music and drama troupes that came from India to Sri Lanka were of two types: One, Sankaradas Swamiji-styled stage dramas filled with songs, and the other, Parsi theatre-styled dramas filled with dialogue and music. Chellaiya Annaviyar was attracted to both these styles of Theatre plays which held at the Welhasim Hall in Batticaloa town and learnt stage skills through the 'Imperial theatre' troupe. At young age, Chellaiya Annaviyar enacted the roles of Sahadeva and young Pulendran by singing in the plays Alli Arjuna, Pavalakodi and Pravahan. With the advent of cinema in the 1930s, this type of musical theatrical dramas began to fade and become extinct, and Chellaiya Annaviyar turned his focus on the traditional kootthus.

K. Chellaiya Annaviyar

At the age of 18, Chellaiya Annaviyar was attracted to the vadamodi kootthus like Pururuva Chakravarthy and Subhadra Kalyanam and became fully involved in kootthu. He was fascinated by the riveting dance, the energetic songs and the decorations found in vadamodi kootthu and became engaged in it. In his lifetime, Chellaiya Annaviyar mastered more than 20 kootthus. In the north of Batticaloa, He practiced kootthu at Thampankadawai, Muthagal, Kandakadu and Karuppalai and in Batticaloa, at Ottamavadi, Murakkatansenai, Navaladi, Morsappity, Arayampathi, Thannamunai, Periyakallaru and Puthukkudiyiruppu. Between 1947 to 1960, Chellaiya Annaviyar was engaged in the practice of full-length kootthus. After 1958, Chellaiya Annaviyar was engaged in teaching kootthu in the universities and schools. Between 1960 to 1966, Chellaiya Annaviyar taught kootthu at the University of Peradeniya under Prof. Vidhyanandan. There, Chellaiya Annaviyar first gained the experience of teaching kootthu art with women. He taught kootthu to the Tamil students at The Royal College, Colombo. Between 1972 and 1980, Chellaiya Annaviyar worked in kootthu activities along with Vinson Dhiraviam Ramachandran, deputy officer of Vinson College in Batticaloa. He staged two plays solely with women: Uthama Bharathan and Chenchotru Kadan Theertha Semmal. In dramas like Sankaaram Kootthuru etc. he was an Annaviyar of matthalam (musical instrument).

Students
  • Selvaraja Annaviyar
  • Naavaladi Kandhasamy
  • Shanmugam Pankudaveli Baby
K. Chellaiya Annaviyar

Awards

  • In 1993, Chellaiya Annaviyar received the "Lankatilaka" award, the highest award given to a Sri Lankan artist from the President
  • In 2002, Manmunai Cultural Council of Vipulananda Institute of Aesthetic Studies at Kallady, Batticaloa organized a felicitation ceremony for Chellaiya Annaviyar.
  • In 2008, Chellaiya Annaviyar was awarded with "Thalaikol Virudhu" by Eastern University.

Kootthu Performances

  • Karnan Poar (1960)
  • Vaala Bhiman play (1969)
  • Dharumaputhra play (1970)
  • Subhathrai Kalyanam
  • Pashupatastram
  • Nondi play
  • Raavanasenan
  • Vaali vadhai

References


✅Finalised Page