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{{Read Tamil|Name of target page=கருங்குயில் குன்றத்துக் கொலை|Title of target page=கருங்குயில் குன்றத்துக் கொலை}} | {{Read Tamil|Name of target page=கருங்குயில் குன்றத்துக் கொலை|Title of target page=கருங்குயில் குன்றத்துக் கொலை}} | ||
[[File:Karung.jpg|thumb|Karunguyil Kundrathu Kozhai Novel]] | [[File:Karung.jpg|thumb|Karunguyil Kundrathu Kozhai Novel]] | ||
Karunguyil Kundrathu | ''Karunguyil Kundrathu Kolai is'' one of the earliest novels written in Tamil by D.S. Duraisamy. It was an adaption of of a novel by Sir Walter Scott in English. Written at a time when commercial-entertainment writing had just begun in Tamil, the novel set a precedent. It had echoes in later commercial-entertainment writing. | ||
==Publication | ==History of Publication== | ||
D.S. Duraisamy serialized the novel Karunguyil Kundrathu | D.S. Duraisamy serialized the novel ''Karunguyil Kundrathu Kolai''<ref>The murder of Karunguyil hill</ref> in ''Sarvavyabi''<ref>meaning omnipresent</ref>, a Christian magazine published in the Pondicherry Diocese. | ||
It came out in | It came out in book form in 1925. According to the archival news of Guardian Publications, Chennai Publication 7, 1925, Page 327 (Roja Muttaiah Research Libarary - Number 035861, 042328, 048945), no other novels were published that year. Second part of the novel came out in 1926. In the same year, both parts were published together as a single novel, many reprints followed. "As the book came out as two parts and got sold quickly. Looking at the way it is being bought, 3rd part of the book was published. But the 3rd part did not get the attention from public like the 1st two parts" says K.V. Jeganathan in his book '''Tamil Navalin Thottramum Valarchiyum''<ref>The birth and growth of Tamil novel</ref>'. | ||
The long out of print book was reprinted in 2008 as a Thozamai publication by Jerry, a film director who inherited the family heritage of D.S. Duraisamy. The first two parts are presented as a single novel. The third part seems to be | The long out of print book was reprinted in 2008 as a Thozamai publication by Jerry, a film director who inherited the family heritage of D.S. Duraisamy. The first two parts are presented as a single novel. The third part seems to be lost. | ||
==Movie Form== | ==Movie Form== | ||
Karunguyil Kundrathu Kozhai was released in 1959 as a movie called 'Maragatham' or 'Karunguyil Kundrathu Kozhai'. Sivaji Ganesan, Veenai Balachandar, Padmini all starred on it. Veenai Balachandar wrote the screenplay for the movie. S.M. Sriramulu Naidu directed it. | ''Karunguyil Kundrathu Kozhai'' was released in 1959 as a movie called '<nowiki/>''Maragatham'' or '''Karunguyil Kundrathu Kozhai''<nowiki>''</nowiki>. Sivaji Ganesan, Veenai Balachandar, Padmini all starred on it. Veenai Balachandar wrote the screenplay for the movie. S.M. Sriramulu Naidu directed it. | ||
==Synopsis== | ==Synopsis== | ||
Anantharan, the king of Karunguyil Kundram, the noble lord of Marthanda, is accused of murdering his son. Circumstantial evidence is against him. He escapes from captivity and goes to South Africa. Later on | Anantharan, the king of Karunguyil Kundram, the noble lord of Marthanda, is accused of murdering his son. Circumstantial evidence is against him. He escapes from captivity and goes to South Africa. Later on his return he gets the news that his wife is going to marry another man. So he takes his daughter with him and flees to Sri Lanka and lives a secret life there. His daughter Alamu is taken hostage by a bandit named Wickramasingan, a Rajagiri zamindar who comes to Sri Lanka. Alamu helps to rescue him. Alamu had already saved Wickramasinghan from a danger. She recovers him and sends him back. He falls in love with her. She likes him too. But Anantharan strongly rejects their love. When pushed for the reason, he tells his old story. At that time Wickramasinghan, who wants to marry Alamu, attacks them. They survive and reach Colombo. Taking a vow to remove her father's blame, the daughter comes to India and comes to her mother's hometown, Arungilipuram and then to Karunguyil Kundram. There, she joins her mother as a maid and slowly investigates and catches the criminals. She also marries her boyfriend. This is the story of this novel. | ||
==Characters == | ==Characters == | ||
*Alamu - The heroine of this novel. Princess She lives a nomadic life as her father renounced his native | *Alamu - The heroine of this novel. Princess She lives a nomadic life as her father renounced his native | ||
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*Rajagiri Zamindar - Alamu's Lover | *Rajagiri Zamindar - Alamu's Lover | ||
==Literary Influence== | ==Literary Influence== | ||
The literary influence of this novel is twofold. One is its style. Two | The literary influence of this novel is twofold. One is its style. Two, the adventure element in it. The novel's approach to English prose differs from verse based story telling of those days. The novel is also a pioneer in modern prose. The prose of this novel was read fondly. It also exerted a profound influence on later writers. | ||
"The child loved her father from the moment he stole her. She | "The child loved her father from the moment he stole her. She considered him as her own god. She was a consolation for his suffering. He stole her away from her mother and left her to mourn her daughter's death, perhaps can be considered wrong. But Alamu, just think…” is an example of the novel's style. | ||
"He knows his brother's blood cries out for revenge…" this line is an example of the positive effects that English produces in Tamil. "The voice of the | "He knows his brother's blood cries out for revenge…" this line is an example of the positive effects that English produces in Tamil. "The voice of the mesmerizing king fell clearly on Alamu's ears and she was very disturbed" it also has the finer sensibilities of English phrasing. | ||
The novel consists of detectives and adventures. This led to the creation of such novels later on. The peculiarity of this novel is that the central character is a woman. Alamu comes across as an independent woman and a brave adventurer. This was an innovation and a violation at a time when women were restricted from leaving home and getting an education. | The novel consists of detectives and adventures. This led to the creation of such novels later on. The peculiarity of this novel is that the central character is a woman. Alamu comes across as an independent woman and a brave adventurer. This was an innovation and a violation at a time when women were restricted from leaving home and getting an education. | ||
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*[https://www.amazon.in/Karunguyil-Kundrathuk-Kolai-T-Duraisami/dp/819078630X Karunguyil Kundrathu Kozhai Tamil Novel] | *[https://www.amazon.in/Karunguyil-Kundrathuk-Kolai-T-Duraisami/dp/819078630X Karunguyil Kundrathu Kozhai Tamil Novel] | ||
[[Category:English Content]] | [[Category:English Content]] | ||
{{ | {{Finalised-en}} | ||
Revision as of 21:02, 29 October 2022
இந்தப் பக்கத்தை தமிழில் வாசிக்க: கருங்குயில் குன்றத்துக் கொலை
Karunguyil Kundrathu Kolai is one of the earliest novels written in Tamil by D.S. Duraisamy. It was an adaption of of a novel by Sir Walter Scott in English. Written at a time when commercial-entertainment writing had just begun in Tamil, the novel set a precedent. It had echoes in later commercial-entertainment writing.
History of Publication
D.S. Duraisamy serialized the novel Karunguyil Kundrathu Kolai[1] in Sarvavyabi[2], a Christian magazine published in the Pondicherry Diocese.
It came out in book form in 1925. According to the archival news of Guardian Publications, Chennai Publication 7, 1925, Page 327 (Roja Muttaiah Research Libarary - Number 035861, 042328, 048945), no other novels were published that year. Second part of the novel came out in 1926. In the same year, both parts were published together as a single novel, many reprints followed. "As the book came out as two parts and got sold quickly. Looking at the way it is being bought, 3rd part of the book was published. But the 3rd part did not get the attention from public like the 1st two parts" says K.V. Jeganathan in his book 'Tamil Navalin Thottramum Valarchiyum[3]'.
The long out of print book was reprinted in 2008 as a Thozamai publication by Jerry, a film director who inherited the family heritage of D.S. Duraisamy. The first two parts are presented as a single novel. The third part seems to be lost.
Movie Form
Karunguyil Kundrathu Kozhai was released in 1959 as a movie called 'Maragatham or 'Karunguyil Kundrathu Kozhai''. Sivaji Ganesan, Veenai Balachandar, Padmini all starred on it. Veenai Balachandar wrote the screenplay for the movie. S.M. Sriramulu Naidu directed it.
Synopsis
Anantharan, the king of Karunguyil Kundram, the noble lord of Marthanda, is accused of murdering his son. Circumstantial evidence is against him. He escapes from captivity and goes to South Africa. Later on his return he gets the news that his wife is going to marry another man. So he takes his daughter with him and flees to Sri Lanka and lives a secret life there. His daughter Alamu is taken hostage by a bandit named Wickramasingan, a Rajagiri zamindar who comes to Sri Lanka. Alamu helps to rescue him. Alamu had already saved Wickramasinghan from a danger. She recovers him and sends him back. He falls in love with her. She likes him too. But Anantharan strongly rejects their love. When pushed for the reason, he tells his old story. At that time Wickramasinghan, who wants to marry Alamu, attacks them. They survive and reach Colombo. Taking a vow to remove her father's blame, the daughter comes to India and comes to her mother's hometown, Arungilipuram and then to Karunguyil Kundram. There, she joins her mother as a maid and slowly investigates and catches the criminals. She also marries her boyfriend. This is the story of this novel.
Characters
- Alamu - The heroine of this novel. Princess She lives a nomadic life as her father renounced his native
- Anantharan - A royal name. King of Karunguil Kundram, a noble lord of Marthandam, deported because of wrong accusations
- Wickramasinghan - Bandit from Sri Lanka. He loves Alamu
- Rajagiri Zamindar - Alamu's Lover
Literary Influence
The literary influence of this novel is twofold. One is its style. Two, the adventure element in it. The novel's approach to English prose differs from verse based story telling of those days. The novel is also a pioneer in modern prose. The prose of this novel was read fondly. It also exerted a profound influence on later writers.
"The child loved her father from the moment he stole her. She considered him as her own god. She was a consolation for his suffering. He stole her away from her mother and left her to mourn her daughter's death, perhaps can be considered wrong. But Alamu, just think…” is an example of the novel's style.
"He knows his brother's blood cries out for revenge…" this line is an example of the positive effects that English produces in Tamil. "The voice of the mesmerizing king fell clearly on Alamu's ears and she was very disturbed" it also has the finer sensibilities of English phrasing.
The novel consists of detectives and adventures. This led to the creation of such novels later on. The peculiarity of this novel is that the central character is a woman. Alamu comes across as an independent woman and a brave adventurer. This was an innovation and a violation at a time when women were restricted from leaving home and getting an education.
Cultural Base
The novel does not reflect the actual cultural context. Karunguyil Kundram and Arunglipuram are inappropriate fictional names for minor kingdoms in the Tamil context. The palace conspiracies and banquets in the palace are all European in style. Especially caste system of that day is not mentioned in the novel.
References
- Tamil Book List - Roja Mutaiah Book Collection
- Tamil Navalin Thottramum Valarchiyum - K.V. Jeganathan
- Karunguyil Kundrathu Kozhai Tamil Novel
✅Finalised Page
